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Stu

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[Dec. 15th, 2004|04:38 pm]




From here on in this journal becomes restricted to friends only posts.

You might have seen me out and about in other peoples' journals. If you'd like to know me better just give us a shout, I'll check out your journal, and I may well add you back in time. Things are tough at the moment and I'm not really expanding my friends list at all, but who knows, I might feel the need to widen my online circle of mates some time soon.

I post a great deal of photographs, too, so I give you fair warning. I'll be clogging up your friends page for weeks!

Thanks for stopping by.

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damp autumn air [Nov. 29th, 2004|10:07 pm]

'A Wintery Moon' by Atkinson Grimshaw 188?


This picture sold for a six figure sum at Sotheby's today.

Often when I leave work at the back end of the year I'll step out into an Atkinson Grimshaw night like this. I love those nights. My building is surrounded by tall trees, and there's a large gateway lit with two Victorian lamps underneath them. If there's a full moon shining out there then that just seals the deal. I guess I'm just an old romantic that way. : )

John Atkinson Grimshaw, a son of Leeds, working and training around the time of the Pre-Raphaelites. It's his paintings of late winter evenings that really captivate me.
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Goodbye John [Nov. 13th, 2004|01:37 pm]
It makes my heart glad that so many people turned out for John Peel's funeral yesterday. The family decided to have a public ceremony and over 2,000 people attended. Us humans instinctively do recognise and celebrate the truly good people in this world. : )




a few more images here )




Goodbye then, John. I don't think I knew how much I loved you 'til you went.
God rest, good guy.

We'll miss you.
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brugmansia flowers: the best shots [Nov. 5th, 2004|06:32 pm]






a couple more large images behind this cut )
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[Oct. 26th, 2004|07:09 pm]
[Current Mood | sad]

I just heard that John Peel has died.

More here.

Many's the time I would sit up into the small hours hungry to hear something new. You could always rely on him for that!

What a lovely warm-hearted guy he was. And the owner of a fantastic sardonic wit. He introduced me to so much good music, including Polly Harvey, whom he championed as soon as she appeared on the scene. They were good friends too, I understand.

The man did so much to encourage new talent here on the British music scene, and was one of the most down to earth broadcasters you could ever hope to listen to. He used to talk about his family with such humour and affection on his shows as well - and I think that has probably endeared him to a whole other generation. A true pioneer, and a genuinely good man. He's probably helped shape the musical tastes of a good part of the northern half of this big blue marble of ours.

He went too soon and he'll be sadly missed. : (
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an intimate lapping [Oct. 17th, 2004|05:19 pm]



hvíti hákarlinn (9MB)









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surfacing: a poem that struck me way back in August [Oct. 4th, 2004|05:47 pm]
Mark Doty

Ultrasound


Blackboard covered with a dust
      of living chalk, live chaos-cloud
            wormed by turbulence: the rod glides


and the vet narrates shadows
      I can't quite force into shape:
            His kidneys might... the spleen appears...

I can't see what he sees, and so
      resort to simile: cloudbank, galaxy
            blurred with slow comings


and goings, that far away.  The doctor
      makes appreciative noises,
            to encourage me;


he praises Beau's stillness.
      I stroke the slope beneath
            those open, abstracted eyes,


patient, willing to endure whatever
      we deem necessary, while the vet
            runs along the shaved blonde


- blue-veined, gleaming with gelled alcohol
      to allow sound to penetrate
            more precisely - a kind of wand,


pointing a stream of waves
      - nothing we could hear -
            to translate the dark inside his ribs


onto this midnight screen:
      the magic pen slides, the unseen's made -
            well, far from plain.


No chartable harmony,
      less anatomy than a storm
            of pinpoints subtler than stars.


Where does a bark upspool
      from the quick,
            a baritone swell


past the sounding chambers?
      You can't see that, or the clock
            built into the wellspring,


or that fixed place from which
      a long regarding of us
            rises.  It wasn't cancer,


wasn't clear, we didn't see, really,
      anything.  He's having trouble
            keeping up his weight;


his old appetites flag,
      though on the damp morning trails
            he's the same golden hurry.


I'm herding the two old dogs
      into the back of the car,
            after the early walk, wet woods:


Beau's generous attention must be
      brought into focus, gaze pointed
            to the tailgate so he'll be ready to leap,


and Arden, arthritic in his hind legs,
      needs me to lift first his forepaws
            and then, placing my hands


under his haunches, hoist the moist
      black bulk of him into the wagon,
            and he growls a little


before he turns to face me,
      glad to have been lifted.
            And as I go to praise them,


as I like to do, the words
      that come from my mouth,
            from nowhere, are Time's children,


as though that were the dearest thing
      a person could say.
            Why did I call them by that name?


They race this quick parabola
      faster than we do, as though
            it were a run in the best of woods,


run in their dreams, paws twitching
      - even asleep they're hurrying.
            Doesn't the world go fast enough?


We're caught in this morning's
      last-of-April rain, the three of us
            bound and fired by duration


- rhythm too swift for even them
      to hear, though perhaps we catch
            a little of that rush and ardor


- furious poetry! -
      the sound time makes,
            seeing us through.

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brugmansia [Sep. 19th, 2004|11:48 am]
[Current Mood | expectant]

One thing that's very cool about gardening is that you never quite know what to expect when you grow an unfamiliar plant for the first time. [info]brianrdu put me on to Angels' Trumpets, or brugmansia late last year. I'd never even heard of them before, and thought I'd give them a shot.

What a satisfying plant to grow! Not to mention sinister.

24 flowerbuds on one plant right now, 10 of them currently longer than my outstretched hand (that's nearly nine inches long, no word of a lie!). I swear I could feel them growing while I was sitting in the living room last night. Very eerie.

Each flowerbud is a long, green furled up flute, with catfish whiskers bristling out at the end. They're rolled up very tight right now. Every day they take on a bit more colour and length - I think these ones are going to be white - and become, well, less like something 'fleshy' and more like, well, actual real flowers. Just giant, tantalisingly heavy ones. I swear they became whiter in the time it took a rugby league game to play itself out on the tv last night. Once mature they're supposed to open in the evenings with a powerful intoxicating scent. Though not too intoxicating I hope: I've had to bring it indoors permanently now to keep it out of the gales and our rapidly dropping night temperatures. 'Intoxicating' isn't far from the truth, as I understand it, either. Brugmansia are used in the South America's for their powerful psychoactive effects, I've heard. Sages use it to put themselves into violent hallucinatory trances. Knowing that does tantalise me, but I don't think I'm going to be brewing any of it up any time soon. That definitely adds to it's sinister nature, though. Look at it, sat there, straining it's flowers out right there on my innocent Ikea rug...

I imagine this might be the closest I get to experiencing what it's like to have a baby. All this tantalising waiting... not quite sure what to expect. The whole vibe I get from the plant, I'm half expecting those flowerbuds to burst open en masse together one night: huge eighteen-inch diameter bat wings, all slapping open with a loud leathery FLAP. Me taken out mid-tooth-brushing - "He didn't even have time to turn on the light..."

Tell me you haven't missed my drama. ; P



It's actually going to look similar to this, I think. Strange and fascinating at the same time. Perhaps the flowers will open like this before the week's out?

Anyway, this kind of thing is the reason why I enjoy gardening. Thanks for putting me on to these Brian! : )
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I've been on the other end [Sep. 13th, 2004|08:33 pm]
so I'm apologising now, because I know it can touch a sore spot, but I'm reducing the number of friends here on my LJ now.

Be well you guys. I may well extend my lists out again soon, but right now I'm struggling to stay connected with this thing and feel it's something I need to do if I'm to keep using this to write in at all.

Good times were had and there'll be more ahead, I'm sure. Cheers for listening to all of my blather. : ) And [info]navarchus, if you're out there, this is your final call! I think I'm finally giving up on you ever coming back.
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PJ Harvey, all neon-like. LUU 7th September. [Sep. 10th, 2004|01:55 pm]



the heat, the smiles, and one knackered maraca... )
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nice work if you can get it [Aug. 14th, 2004|11:03 am]


As gigs go, I guess performing a song from your upcoming new album at the opening ceremony of the 2004 Olympic Games isn't really to be sniffed at.

I'm sure there's a tune lurking in 'Oceania' somewhere, but I'm having real trouble finding it.
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fuzzy crab shenanigan [Jun. 30th, 2004|08:42 pm]
Happy Birthday [info]new_improved!

Hope you're limbering up on that trampoline. ; D
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Jeanette Winterson [May. 3rd, 2004|11:04 am]
[Current Mood | reflective]

Yesterday I started and ended the day with Jeanette Winterson.

She has a sharp and brilliant mind.

A lecturer in the School of English told me how Winterson came to the university to do a reading once, and that that was where she she met Margaret Reynolds - her long term partner. Reynolds was an english tutor at the university at the time, and when she met Winterson at the reading - with all her lust and her passion and her endless unselfconscious chatter - that was the moment she fell in love with her.

It's easy to see why.

In the morning she was on the radio being interviewed, and she was talking about how we should all really live life while we have it, and you knew that she felt that she was. Then she referred to something that Dante wrote, about how there was a special circle reserved in Hell for those that chose to

'willfully live a life in sadness'.

What a thought, that that was a medieval sin. Choosing to live a life in sadness. And I thought to myself 'is that perhaps what I do...?'

: /

Then in the evening she was on the South Bank Show, and during the interview with Melvyn Bragg she said this:

"I feel that...we need for ourselves... meditative spaces which are full of energy, but which are not full of noise.

When you take a poem away, or a book, or a piece of fiction, you are consciously withdrawing yourself from the world in a way which - really - you wouldn't even have noticed a hundred years ago; it wouldn't have been the same world you were withdrawing from - there were ... spaces...

We've got less and less space, and I do think of art now as a sort of air pocket in an upturned boat, and that's what we need to breathe.

[Art] is a place where we make space for ourselves. It is oxygen. It is life for us now.

[There is] an emptiness of mind, a hollowness of soul...which
is a product of modern life - where everything is to do with 'the surface'. And we cannot live like that. We can't. Because human beings are extraordinary creatures - we need depth; we need profundity; we need challenges; we need to feel that we are a little bit operatic in our struggles. We need more than the banalities of the every day."

I like this very much indeed. : )

*****


Also - this odd coincidence, considering my enthusiasms about the band Múm. Their new album was written in a lighthouse, a fact that figures high in the music with it's radar blips, it's shiply themes, it's ocean sounds and it's samples of buffeting wind. Jeanette Winterson's new book is about a girl called Silver who is banished with her mother to go and live in a remote lighthouse, away from the rest of their community. The novel itself is called Lighthousekeeping.

Addendum: and I've just noticed that The Fog is on tv again tonight! Mmm, lighthouse related horror. This theme could just run and run if I let it... but I won't be sitting up to watch that. I've seen it too many times already.
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Múm in full [May. 2nd, 2004|11:30 am]
[Current Music |Múm - Don't Be Afraid, You Have Just Got Your Eyes Closed]

The first time I remember feeling this was when I was nine years old and I was playing out on the drive with Lee, the little boy next door. We were scooping up soil into these small tin bottle caps. It was summer, so it was warm and the soil was dry and powdery: the metal of the bottle caps would rasp on the concrete every now and again, and then we'd keep on filling and emptying out the dirt from them, tapping the caps gently against the stone now and then. I think we were pretending to make mini mud pies or something.

Anyway - that was when I felt it - this pure warm sense of contentment. We were both so quietly focused on what we were doing, and so completely absorbed in this sensory game - and suddenly this warm wash of relaxation flooded right through me, making me tingle all over. For just a few moments I knew I was supremely and blissfully happy. I'll never forget it.

That buzz came back to me again on Tuesday night, when I went to see Múm play. : )

The setting was perfect - an all-seater old style music hall; and due to a fuck up with the online ticket vendor (lesson: never book through a third party if you can help it) I actually ended up with a better view than I was expecting because I was shunted upstairs into the circle. Before the gig started I got the full-on music hall experience: shabby red flock wallpaper, dimly lit yellowing chandeliers, and snug seating high up against the wood panelling. Cosy. No, really.

There were more musicians than I expected. And that's what struck me - they really are musicians. All those bleeps and rasps and wheezes and taps?; they're not samples, these guys actually play them. You see them do it all, right there in front of you.

And they have a lot of instruments to choose from: glockenspiels, guitars, keyboards, a mouth organ, melodicas, strange flutes, a trumpet, an accordion, a cello, some e-bowing, hand bells, chimes, and weird windy-up boxes, a couple of laptops for the sound samples (lots of ocean), oh...and the best drummer I've seen in a long time. Yes, an electronic band with a live drummer! That guy was so into his percussion it was mesmerising. A real character. He had me grinning like an idiot a lot of the time. Everyone keeps revolving around one another to get to the next instrument to play within each song, so there's this odd understated movement going on the whole time.

The singer herself is something else - she stands there being beautiful in her simple plush dress, playing accordion and breathing all those vocals just the way she does on the records. Do all Icelandic women sing like this, I wonder? And all those layered vocals?; they're not layered. There's a cellist sitting right beside her, mouthing strange noises right there along with her. She kept sucking air and doing odd shapes with her mouth that started to creep me out a bit when I looked too hard. This because she had this magical grin on her face the whole time and was clearly enjoying herself far too much. She reminded me of 'Smiley Miley' - this shy girl from school who never ever seemed to stop smiling, even though, often, there was nothing to smile about. Naturally destined to creep out many of the uber-cool and miserable teens in my year, she was actually training to be an opera singer. Once that voice broke out of her it was like she turned into someone else, apparently. But I never got to hear that happen. I just got to sit in front of her in Biology and know that her smiling pig-tailed head was facing the back of my neck.

Anyway, this particular singer was not her. I've checked.

The pootling jazz tunes faded, the lights went down, and Múm started up with Hú Hviss - A Ship and Weeping Rock, Rock and it was from thereon in that they had me. Hu Hviss... is, I think, pretty much the sound of the place where the band wrote a lot of their new album, ie. in a lighthouse. It's the sound of buffeting wind and the sound of crashing ocean, and hearing that loud echoing around you in a plush red music hall is all it takes to draw you into Múm's magic. Seeing them actually play all that layered sound is something else too. And it really filled the hall. For a band whose tunes often seem gentle and understated they sure do create quite the beefy sound live. 'Rich' is the best way to describe it. And maybe also 'something else'. There was a lot of dark moodiness in there, but they played enough tunes from Finally We Are No One to counterbalance that. Moody and playful by turns.

Most magic moment: when they were winding down one song, and moving about to position themselves up with the instruments for the next, and all the time they're doing this each one of them has a little brass hand bell which they ring out one after the other, and this going on for a good couple of minutes: them having fun with a miniature bell interlude while the singer intermittently breathes out over the top of it all.

Múm sound like this:
The Island Of Children's Children (4.8 MB)


and they also sound like this:

We Have A Map of the Piano (4.9 MB)


Many times I found myself wanting the songs to never end. That'll be why when I got home I immediately went upstairs and listened to another good hour of their tunes. Never did quite get that same little buzz back though. : )

What Múm do well is sensitise you to sound: the chiming and tapping and wheezing and breath. The tunes have enough air in them to let you hear how their music is made.
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Múm [Apr. 27th, 2004|11:24 pm]
[Current Mood | happy]

I just got back from seeing Múm.

It was cool and they made me feel great. : D
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[Apr. 27th, 2004|11:20 pm]
[info]halogenerate is a llama whisperer.

He does saliva in their ears and everything!
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raid [Apr. 17th, 2004|11:53 am]
[Current Mood | not entirely surprised]

Wow.

Fifty-eight people questioned after being picked up in immigration raids...

The Leeds sauna in question: just round the corner from my house.
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post sugar rush rashness [Apr. 3rd, 2004|05:53 pm]
[Current Mood | chuffed]

...try saying that when you're excited.

I'm going to see Múm. In three weeks time!

Yes!

The internet is designed for spur of the moment decisions like this. Like Bart and Millhouse on their SquisheeTM spree I woke up from a mid-afternoon snooze induced I expect by munching chocolate (a sure sign that I'm hooked on sugar at the moment), only to sign onto the web, check the Sigur Ros LJ community, follow a link to their website, see a message in their fan forum about Mum playing Leeds, look gobsmacked, do a quick Google search to have it confirmed, find the booking office for the venue online, check the seating plan from the venue site to check the ticket is for a reasonably decent seat, grab the plastic and book the ticket and have it confirmed all within the space of twenty minutes of waking up. : O

An hour ago I never even knew that they were touring. Now I'm there in the stalls in three weeks time. : )

And they have a new album out, it would seem. I need to look into this.

Edit:...the new album's out in a couple of weeks. Even better. : D
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Sam the Eagle and Lawrence Dallaglio separated at birth? [Mar. 27th, 2004|02:11 pm]
Grim Muppet Grim Muppet

This weekend is one given over entirely to rugby. The three final Six Nations matches of rugby union today, running concurrently one after the other. Two Challenge Cup matches in rugby league tomorrow, running concurrently one after the other.

*prepares a hole on the sofa*

So no gardening this weekend either. : / Perhaps an hour or two devoted to potting up some new plants during the Wales v Italy match, I reckon, as it's almost a foregone conclusion that Wales are gonna win that one.

Lawrence Dallaglio - the new England Rugby captain - always reminded me of someone. I finally pinpointed who.
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LARD [Mar. 23rd, 2004|07:51 pm]


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